An Interview With Jack Stauber
Jack Stauber is certainly not our usual synthwave sound, but when we came across his masterpiece “Pop Food,” we knew […]
Jack Stauber is certainly not our usual synthwave sound, but when we came across his masterpiece “Pop Food,” we knew […]
Hailing from the city of Toronto, Mecha Maiko is the brainchild of none other than one of Synthwave’s most recognizable
From the ground-breaking inception of sampling to the world-renowned French Touch movement, it surely is no secret by now that the French are among the chief innovators and forbearers in the world of electronic music.
Whereas some artists keep the label at an arms distance, Futurecop! stands tall and proud in its indulgence in all things “retro”. Hailing from the UK, the duo is currently celebrating its tenth anniversary as a band, a ten year run still spearheaded by the same sense of playful wonder and nostalgia that brought each and every Futurecop! record to life.
Ten years into his creative endeavor as Com Truise, the New York-based artist is preparing to release his third full-length album, a closing chapter in the artists’ narrative arc influenced by his recent move to California.
A quick look at the work of the Spanish indie developer, as well as an interview!
“Planet Earth, 1980s C.E., a miraculous tune swallowed every other sound on earth, transcending time from East to West. It was the sound of the Japanese idol. The essence of the idol sound long thought extinct has achieved its own evolution within the legendary satellite, Satellite Young, which only appears once in 30 years…”
Since having proven their potential and durability, the question amongst North American Synthwave fans has not so much been whether or not the French figureheads would someday reach the US venues, but rather WHEN that time would come.
Having teased us as early as 2013 with the launch of a cryptic promotional website, Detroit-based electronic music producer Klayton is finally putting our wait to an end with the release of Scandroid’s self-titled debut album.
You’ve worked professionally in sound design and music for a long time, when did you realize you wanted produce music?
Steering clear from some of the obvious clichés that would turn the project into a mere parody or pale imitation, MaVS’s score constitutes the real backbone to the films action and atmosphere all the while delivering a terrific standalone release expanding upon the films’ universe.
Returning to the forefront of the retro music scene, Arcade High have just released their third and latest full-length effort, titled Kingdom