Golden Axe (Sega, 1989)
Sword & Sorcery. Known for buff swordsmen, scantily-clad warrior-women, and evil magic, this sub-genre of fantasy held pop culture in […]
Sword & Sorcery. Known for buff swordsmen, scantily-clad warrior-women, and evil magic, this sub-genre of fantasy held pop culture in […]
If just seeing that logo didn’t fire off a powerful twinge of nostalgia for you, then we probably grew up
Ninjas were a staple of pop culture in the 80s and 90s. They were everywhere. Movies, TV, cereal boxes… and
Part of why so many of us love video games is that they’re a release. They release tension. They give
If you had an NES as a kid, and you lived near a video rental store that also dealt in
Often touted as one of the titles that kicked off the video game craze worldwide, Super Mario Brothers is the
A lucky few of you may have grabbed the vinyl when it debuted for limited release, but now Blood Music has released GosT’s “Behemoth” album for digital download!
Zombie: The Unearthed OST by SurgeryHead (Featuring GosT) Ooh, I was very excited to get the greenlight on this one.
Dan Terminus, pseudonymous darkwaver extraordinaire from Lyon, France, has released a real earful with Finland’s Blood Music, The Wrath of Code. And let me tell you, it’s a dizzying doozy of a musical ride.
Many of John Carpenter’s films have common threads that stitch them gently together. For instance, the majority of the visuals (camerawork, exposures, etc.) create a mood that is not only nightmarishly dark but also thrown into stark, bold contrast. It creates the effect of a spooky slap in the face. Carpenter is also known for scoring many of his own movies, and doing a superb job of it.
Street fighter II: The World Warrior is where the franchise started for most fans; though its prequel enjoyed moderate success, it was this one that truly caught on and blew new air into arcade fighting games as a genre.
As many NRW readers may have noticed, while I love all retrowave music, my tastes do tend toward the darker end of the genre’s spectrum… and toward its fringes. That’s why I wanted so badly to review this set of tracks, and I’m very pleased to be doing so.